“A jazz-pop powerhouse” – The New York Times Chris Botti – Trumpet Lee Pearson – Drums Daniel Chmielinski – Bass Anastasiia Mazurok – Violin John Splithoff – Vocals Julian Pollack – Piano Veronica Swift – Vocals With a […]
35 events found.
Chris Botti
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“A jazz-pop powerhouse” – The New York Times Chris Botti – Trumpet Lee Pearson – Drums Daniel Chmielinski – Bass Anastasiia Mazurok – Violin John Splithoff – Vocals Julian Pollack – Piano Veronica Swift – Vocals With a solo career spanning two decades, Chris Botti is the highest-selling instrumental artist in the United States. His success has crossed over to audiences usually reserved for pop […] |
2 events,
“A jazz-pop powerhouse” – The New York Times Chris Botti – Trumpet Lee Pearson – Drums Daniel Chmielinski – Bass Anastasiia Mazurok – Violin John Splithoff – Vocals Julian Pollack – Piano Veronica Swift – Vocals With a solo career spanning two decades, Chris Botti is the highest-selling instrumental artist in the United States. His success has crossed over to audiences usually reserved for pop […]
“A jazz-pop powerhouse” – The New York Times Chris Botti – Trumpet Lee Pearson – Drums Daniel Chmielinski – Bass Anastasiia Mazurok – Violin John Splithoff – Vocals Julian Pollack – Piano Veronica Swift – Vocals With a […] |
2 events,
“A jazz-pop powerhouse” – The New York Times Chris Botti – Trumpet Lee Pearson – Drums Daniel Chmielinski – Bass Anastasiia Mazurok – Violin John Splithoff – Vocals Julian Pollack – Piano Veronica Swift – Vocals With a solo career spanning two decades, Chris Botti is the highest-selling instrumental artist in the United States. His success has crossed over to audiences usually reserved for pop […]
“A jazz-pop powerhouse” – The New York Times Chris Botti – Trumpet Lee Pearson – Drums Daniel Chmielinski – Bass Anastasiia Mazurok – Violin John Splithoff – Vocals Julian Pollack – Piano Veronica Swift – Vocals With a solo career spanning two decades, Chris Botti is the highest-selling instrumental artist in the United States. His success has crossed over to audiences usually reserved for pop […] |
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